Cafe with the red door
I tried to write a monologue ended up with a paraphrased well-rehearsed dialogue
where it was me my pen a barren thoughtless ambitionless dire dread sunken low
endless void sheet of paper a truce I was determined to extract a reunion of me
and the words a paraphrased well-rehearsed melody.
I’ll call my new testament a revelation yet again the door was shut a creek on
the bolts and a sudden jolt as all that was left was a seer clear serene vaccume
devoid of light sound hope dreams and the desire to get up…I was paralyzed my
hands were trembling my pen aching to move an inch, to explore the great run of
meadows some description of waves mountains the wind playing with your hairs a
cuddle under moonlight cigarette’s after ages few stanza about the windows the
first ray of sun and all the words that rhyme, my pen aching to move an inch succumbed
to the wounds of fantasy a café with red door and a table peering all that you
have ever craved all you have ever desired with a shot of espresso blended with
your greed and roasted enough to tell you that it's a dream and whatever you do
wherever you go whatever you’ll witness and all you’ll ever experience will be
nothing more than a fleeting memory a memory that you were never part of.
Do you
remember me ? Do you remember all that’s left to remember all that’s all and
all at the brink of all, all when you thought you had all and all from all the
alls you tought will never matter in this journey of alls and the all’s I kept
of giving and all the all’s I was deprived to receive. An all in between all
the alls…Do you Rember? I stepped into the café with the red door, and the air
within felt thick, weighted as if time itself was holding its breath. The bell
above the door jingled softly, but there was no echo, no reverberation. It was
as though sound and space were unsure of their own existence here.
A musty
smell of old paper and forgotten dreams curled in the air. The café was empty,
save for a single table near the far wall. The wood of the table looked
ancient, scratched and worn, but polished by years of hands that had touched
it—desperate hands, idle hands, hands that knew both creation and failure. The
chair opposite was a sturdy thing, its legs creaking under the weight of its
own history, yet somehow inviting, as if it had been waiting for me.
The red
door behind me seemed to pulse with a subtle urgency, as if trying to tell me
something—but I wasn’t sure what. The walls, painted in a shade of faded ruby
smelled like rosemary. It felt as if time itself was held captive in this
space, and I, along with it, was suspended.
I sat down
slowly, the air around me still thick with unspoken words. A soft hiss broke
the silence. The snake with the red mouth slithered from beneath the table, its
eyes glowing faintly, the scales catching a shimmer of light that wasn’t quite
there.
"Welcome
back," it said, its voice soft but rasping. "The door was waiting for
you."
I looked
around. There were no other patrons. No barista behind the counter. Only the
faint ticking of an old clock, its hands moving in half circles, as though
reluctant to finish the sweep of time.
I
swallowed, trying to steady my breath. "What is this place? What do you
serve here?"
The snake
tilted its head, amused. "Ah, you don’t know? We serve what you need
most—your longing. But you must be careful. The longing here is never fully
satisfied."
I frowned.
"What do you mean?"
The snake
slithered closer, curling around the chair opposite me, its red mouth
glistening as it spoke. "In this café, you can order anything—anything at
all. But there’s a catch: You only get what you think you need, what you
believe you want. The rest… it slips away, lost in time, like a sentence you
never quite finish."
I glanced
at the table again, and for a fleeting moment, I thought I saw a steaming cup
of coffee appear, placed delicately before me. It was rich and dark, with an
almost otherworldly scent—an aroma of faraway places, of forgotten roads, of
dreams half-remembered.
But as
quickly as it had appeared, the cup vanished. Just like that. The empty space
on the table seemed to mock me.
I felt the
weight of the snake’s gaze. "You see, in this café, nothing is real and
everything is real at once. You can order a perfect day, a perfect moment, a
perfect word. But none of it will ever exist outside this room. You can write
the perfect line, but it will never be read. You can touch the softest winds of
your past, but you will never breathe them again."
I stared at
the empty table, feeling the cold air pressing against me, feeling the words
slip further away. But still, I couldn’t leave. I couldn’t pull myself away
from this place, this hollow sanctuary of promises unkept.
"You
said I could order anything," I said, a tremor in my voice. "I want
to write. I want to feel the words again."
The snake
chuckled softly, its tongue flicking. "Ah, yes. A writer’s most desperate
desire: to write something that matters. But understand this: Here, you can
write anything. You can fill this page with beauty and meaning, but the moment
you leave, it will disappear. It will never have existed. No one will ever read
it. The page will remain blank, even though you filled it."
I clenched
my fists, a strange pressure building in my chest. "Then what’s the point?
Why would anyone come here if everything they do is destined to vanish?"
The snake’s
eyes gleamed, a flicker of understanding passing through them. "That’s the
trick, isn’t it? The act of writing, the act of creation—it’s never about the
result. It’s always about the doing. The process. The journey, not the
destination. Here, you can reach out to everything you’ve ever dreamed of, and
it will slip through your fingers—but it will shape you, mold you, just the
same."
The words
hung in the air, heavy and final. But as I listened, something began to shift.
The pressure in my chest loosened. It wasn’t the creation that mattered. It
wasn’t the end result, the final draft, the perfect line of prose. It was the
act of reaching for it. Of trying, failing, and trying again.
"Maybe…
maybe that’s enough," I murmured to myself.
The snake
curled around the chair, its body warm against the cool air. "Yes,"
it whispered, "Maybe that is enough."
And then I
wrote:
My words they don’t speak to me anymore…They have gone silent.
I tried to write a monologue ended up with a paraphrased well-rehearsed dialogue
where it was me my pen a barren thoughtless ambitionless dire dread sunken low
endless void sheet of paper a truce I was determined to extract a reunion of me
and the words.
By: Kshitij Sinha
18/11/2024
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